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Sunday, March 9, 2014

A change of tactic

Winter Fields 1, watercolor 26 x 18 cm
Winter Fields 2, watercolor 26 x 18 cm
It occurred to me that maybe Winter would be more inclined to bow and leave the stage if I showed some respect. So, "Dear Winter, your performance this year was so exceptional, you managed to impress even the most indifferent observers! I admit that the snow-covered fields do have their charm."
These are two scenes from a little area on my daily commute to work that still resists the building sprawl.

Sunday, March 2, 2014

Another beach scene

At the beach, watercolor  on Arches 300 g, 56 x 37 cm
We had a "heat-wave" yesterday, when the thermometer reached 0 C. Today it plunged back below -10 C and so this endless winter continues. And I continue to be in denial, imagining warm and happy times...

Sunday, February 23, 2014

Simply sea

Sea, watercolor 38 x 28 cm
Beach and sea, watercolor 38 x 28 cm
I've been trying to simplify painting the sea. One fluid wash first, leaving some whites for the foam, and then using dry brush to add the shadows of the waves seems to work well. The sand is still giving me trouble though. Texture with salt would work well, if only I could get the right color consistency and amount of salt.

And a note on materials. I have been trying Fabriano Artistico 300g paper lately. I like its white surface and the way colors fuse on it. But I find that it buckles more than Arches so, if working with more water, I would prefer Arches.

Monday, February 17, 2014

The wet sand

The wet sand, watercolor on Fabriano artistico, 38 x 28 cm

The wet sand 2, watercolor on Fabriano artistico, 38 x 28 cm
There is a moment, right after the wave recedes and before the water gets absorbed in the sand, when the wet sand reflects, almost like a calm water surface... but not exactly like it...

Thursday, February 6, 2014

Still dreaming of summer...

Sea and sand 1, watercolor on Fabriano Artistico, 38 x 28 cm
Sea and sand 2, watercolor on Fabriano Artistico, 38 x 28 cm
It snowed all day yesterday. The commute to work and back was a torture. The snow banks are now so high, if it snows again, there will be nowhere to pile the white stuff.
I keep dreaming of hot summer days. Playing with these washes, trying to figure out how to depict, in the simplest way, the turquoise and emerald color transitions of the sea, then merging into the warm hues of the sand. Maybe it's time to make my dreams come true...

Wednesday, January 29, 2014

Cravings

At the beach, watercolor 38 x 28 cm
It is bitterly cold outside. The temperatures have not risen above -5 C for the last  ten days. At night -20 C is the norm. Add the strong winds and it gets dangerous to be outside. So far, this has been arguably one of the coldest winters in the last few decades. No need to explain, why I dream of hot, sunny days at the beach...

Wednesday, January 22, 2014

Views from Newfoundland

Lately I have been working with photos from my trips, trying to simplify some landscape scenes. Here are several of them, although, I'm still very far from what I'd like to achieve.
York Harbor, watercolor 38 x 28 cm
Bonne Bay, watercolor 38 x 28 cm
At Norris Point, watercolor 38 x 28 cm
Broom Point, watercolor sketch
Trout River Pond, watercolor 38 x 28 cm

Sunday, January 19, 2014

More from the produce counter

Swiss Chard, watercolor 38 x 28 cm
When my husband saw me taking a bunch of Swiss chard at the store, he said "You are buying this to paint it, aren't you?" Yes, he guessed right. I had to complete the series of interesting edible leaves. As a bonus we did end up with a tasty soup.

Pineapple, watercolor 38 x 28 cm
And now everybody knows what's for desert tonight...

Tuesday, January 14, 2014

Eat your veggies



Radicchio leaf, watercolor 28 x 28 cm
Boc Choy, watercolor 28 x 28 cm
These are a couple of studies of leafy vegetables, which intrigue me with their color patterns.

And a big thank you to Rita Vaselli for giving me this blog award!

Wednesday, January 1, 2014

Do-it-yourself lightweight watercolor easel

My new do-it-yourself easel.
The support is two pieces of corrugated plastic,
which can be taped on one side to serve
as a folder for the paper.
This post describes how my husband and I turned a small photo tripod into a light and compact watercolor easel.

I have an aluminum easel, which I find very comfortable and use it all the time at home. It, however, is quite bulky. It is long 30" (76 cm) folded and weighs 2 kg. I wouldn't carry such a thing to paint on location, unless I go there by car. Basically, it very successfully serves the purpose of being an excuse for not painting outside. I wanted a lighter and much smaller one. After seeing Alvaro's travel easel that a friend made for him from a tripod, I decided to do the same.

The easel with the new attachment, folded. The pencil is there for scale
My requirements were:
- minimum  size and weight;
- to be able to fit a quarter sheet horizontally and vertically;
- to assemble and dis-assemble easily

First, I picked a tripod. My choice was the Slik Compact II model, as it weighs only 570 g and is 36 cm long when folded. It cost me about $40 CAD (could have done better if I waited for a sale).  There are probably many other good models, I didn't spend too much time researching.

The parts
The other main part was a 4 foot aluminum L-profile, which we cut to make the two rails and the top and bottom supports. A few rivets, bolts and wing nuts finished the kit. The only weird part was an U-shaped piece that had to hold the two rails 5 mm apart and serve to attach to the bolt of the tripod's panhead. We found something that fit the purpose, so it saved us from making one ourselves. All of this, of course, depends on the materials that you find in your store. The important thing is to have 5 mm gap between the two rails, where the top and bottom horizontal supports can move and be adjusted.

There are still a few things to tune up. I need to replace the two bolts with flat-head ones and maybe add a clip to the top support.
Here is how the rail is assembled. The big round hole is for the
panhead bolt to attach to the tripod. The winged nuts allow to
move and adjust the the two pieces that hold the board from top and bottom.
The whole thing weighs 920 g. (about 2 lb) and can fold to 43 cm (17") length. This can fit in a knapsack. The other practical idea from Alvaro is his support board. He uses two pieces of corrugated plastic, cut slightly larger than the size of the paper he uses, to allow enough room to tape the paper to them. The two pieces are taped together on one side with duct-tape, which turns them into a folder to carry the paper and the paintings, once you are done. Now, I'll have no more excuses. I will have to try this easel for real!

I also like the fact that the new rail can easily be detached, and the tripod can be used for its original purpose - photography.